My Prototype Adjustments

I'm back! Sorry for the long time without posting, but I did not have time nor much access to anything while away on my quick trip to Spain. But alas, I am home and decided to give you another little morsel of what I have been up to. So needless to say, you can see here just what I have been doing while away, and how I am going through the rounds of adjusting my prototypes in order to create the ideas that I had floating in my head. Now, you might think that what I have been showing you is nothing that special (in terms of unique designs), and that is purposefully done as I don't want to give away of my ideas before my shoes are ready for distribution. So, at first I showed you my take on a cap-toe and now I am showing you my take on a nice brogue. I decided that I did not want to go straight into designing a full brogue, as every other shoe company in the world has one. Obviously I will eventually need to make one, for all of you classicists out there, but in the meanwhile being the sucker that I am for saddles, I decided to introduce the 'saddle brogue.'

As you can see, there have been adjustments made with a silver pen indicating what needs to be changed. The sharp corner of that saddle did not flow well with the smooth, soft line of the wing cap below it, so I am having the pattern maker round it out a bit in order for the lines to be in sync with each other. This will give the shoe a little bit more balance as I believe that it is a bit on the clashing-side at the current moment.

For some odd reason, it would appear that the toe sits very high off of the ground, but I can assure you that this is not the case, as I am not a fan of toes that curve upward. Obviously, a shoe needs a bit of space between the toe and the floor, due to the way that we walk, but I think that the fact that there is a piece of glass that sits on top of the table, it would appear as if the surface is lower than it actually is, giving off the illusion of a toe that curves too high upward.

So, here is one more of my shoes to hold you over and to let you know that I am indeed working as fast as I can to release my collection which will consist of around 12 different designs, having two of the designs using two different lasts, making it seem that there would be 14 different designs. I am hoping (optimistically) that they will be ready by mid to late January (assuming there is no more need for adjustments) and that I can put my first order through by sometime in February (but don't hold me strictly to this). So for all of those patiently waiting, I can assure you that it is not long from now.....

J.Fitzpatrick & Gaziano & Girling Collaboration

I don't know how many of you remember, but before I ever went to have my collection made up in Spain, I went to Tony Gaziano to learn how to make a pattern. He spent the day showing me using one of my very own designs. At first I thought that I would try and take another skill on board, but after seeing how intricate it can be and understanding that it would just add a few more years onto realizing my goals, I decided that I would leave it at that and maybe come to it at another point in life. But, that day was very integral to my knowledge in understanding why a pattern (and how it fits on the last) is so important. I realize that it is not just a shape that makes the shoe, but how the design (pattern) fits on that shape. How it compliments the curvature of the last. This is something that I am now struggling with in my own prototypes. Getting the pattern to fit the last, properly, is no easy feat, especially on your first round of making them. They usually need adjustments. 

Needless to say, this is the final result of my design. You may say, 'oh this is nothing unique,' but if you look carefully, I have extended the adelaide to follow the top line of the shoe, giving it sort of a 'wing-like' characteristic. As well as that, I have minimized the heel counter. I did that because I wanted to emphasize the flannel that I used, so that it would be the main focus of the shoe. And even though some might find these characteristics to be unpractical, I find them to be the refreshing difference to everything else that already exists.

As far as the construction of the shoe goes, allow me to explain. So after Tony and I (really just Tony) completed the pattern, we had one of the closers that he uses sew all of the pieces together. This proved to be a difficult request due to the nature of the fabric. Yet, after a struggle, he still managed to do so and ended doing a very good job on such a difficult piece. The intention was then for me to make the shoes myself, but after a couple of complications, including lack of time and the fragility of the upper, we decided to just have it made in the G&G factory on the DG70 last. And as a surprise, they ended up constructing it with the Deco standard of construction and finish, to give it more of that 'handmade' feel. So that being, the concoction that you see presented here is designed by myself conceptually (and on paper), with the pattern done by Mr. Tony Gaziano, and then made up by the wonderful workers at Gaziano & Girling. The only downfall to all of this, is that this shoe will unfortunately be a one-off, as the flannel used is far to delicate and difficult to put into mass production. But, the design will be something that I incorporate into my first collection.


(Just to reiterate for clarification, this shoe will not be available by either side, and in the future, the design will be made available by me, not G&G)

My First Prototype

As 'The Shoe Snob,' you can imagine that for my first prototypes, and collection for that matter, I am going to have some very high expectations. Well, 8 out of 13 of those prototypes came in the mail today. Some of them were 'bang on,' but sadly to say, some of them also left me quite disappointed to say the least. Now, I know that this is only the first round of prototypes (so I can't expect magic) and many of them will inevitably be adjusted, but as this dream has been 5 years in the making, you can imagine the type of anxiety that I am going through, especially when I have been telling the whole world about it. Needless to say, as my loyal blog readers, I am presenting to you (before anyone else!) one of my first prototypes.

Sadly for all of you, I am only going to show this one (for now), as some of the other ones are unique. And even though I don't intend to insult anyone of their integrity, I must be cautious as I know that there are other shoe companies who read my blog and would not want to see a design of mine released before my own shoes are. But as this may look like a classic shoe that you could find anywhere, you may have noticed that I have emphasized the stitching, providing 3 rows instead of the common 2. For me, it just accentuates the different pieces of the pattern and allows for one to wear it more casually, i.e. with a nice pair of fitted jeans. This model is nothing too unique, but then again, it's a classic with a slight twist and that is something that can't go wrong.

When all of the prototypes are finished, I promise that I will release them to all of you, as I know that like me, you too have been patiently waiting. Just know that I am working hard to get them out there and that I am being the biggest snob that I can, in order to bring you something unique, good looking, of good quality and of good price! So, please continue to bear with me as I finalize all of my prototypes into becoming a first collection that can wow the world....

By the way, please feel free to comment. The logo is not finalized, but I would appreciate some feedback on it.